| Cast: Milena  Djordjević
 Jevgenija  Jeskina Kovacević
 Dejana  Miladinović
 Snezana  Milojević
 Milena  Moravčević
 Marija Opsenica
 Danica  Ristovski
 Sonja  Zivanović
 Directed by:  Bojan Djordjev Dramaturgical-theoretical  advice: Ana VujanovićSet design:  Siniša Ilić
 Costume  design: Маја Mirković
 The duration of the play is 70 minutes.       For me writing is a territory of rage, a territory of struggle where I constantly try to defy models and forces of compulsion, not only through what I write about, but also how I write it. Ivana Sajko
 According to Ivana Sajko “Woman-Bomb” is a monologue of a female  suicide bomber, a nameless politician, his bodyguards and mistresses, God and a  choir of angels, one worm, Mona Lisa by Leonardo da Vinci, twenty friends of  Ivana Sajko, her mother and her-self.  
 Ivana Sajko wrote this monologue as a reaction to the letter she received from a  theatre manager who decided not to stage her play because of the situation in  the world and terrorism.
 
 The play “Woman-Bomb” by Bojan Djordjev is a kind of stage essay on the topic of  terrorism. Djordjev attempts to establish a dramaturgy of post-cultural theatre  in the heads of spectators which is almost identical to the dramaturgy of the  fashionable postdramatic theatre. Both dramaturgies recreate a principle of an  equally hovering attention from psycho-analytical hermeneutics where an analyst  listens to the analysed person without understanding immediately what s/he is  saying.
 
 In “Woman-Bomb” the  spectators are trying to edit in their heads a large amount of information they  are mercilessly feed and to reach one interpretation of them. The spectator comes  to understand the text of the play only later, which is one of the principles  of postdramatic theatre.
 The play takes  an auto-ironical step away from theatre, politics, God, abuse of women in  terrorism, etc.
 In the play “Woman-Bomb” we  observe a number of actresses in the role of woman-bombs who sit in the  audience and whose flow of thoughts we listen to throughout the play, which  revolves around the assassination of Rajiv Ghandi carried out by a woman  suicide bomber Dhanu in 1991.
 
 Milan Madjarev, www.b92.net/kultura/pozoriste/o_predstavi.php,  31st January 2008
 Benazir Bhutto (1953-2007)Pakistani  politician, opposition leader; the first woman to lead an Islamic country,  twice elected Pakistani Premier (1988-1990 and 1993-1996); accused of  corruption, from 1998 lived in voluntary exile; returned to Pakistan in 2007 to  lead the Pakistani People’s Party in the election campaign; killed together  with 19 other people in a suicidal bomb attack on 27th December  2007, which is considered to have been a crucial blow to the democratisation  process in Pakistan.
 
 Ivana  Sajko (1975)
 Croatian dramatist  and dramaturge; graduated from the Academy of Dramatic Arts  in Zagreb,  Department of Dramaturgy. She has received several awards for dramatic literature,  including three ‘Marin Drzić’ Drama Awards for her plays: Orange in the Clouds (1998), Rib as Green  Walls (2000) and Mass for Election-day Silence, Dead Body behind the Wall and  Hoofs in the Throat (2002). Her dramas are performed in theatres and on radio,  and have been published in a number of world languages. She works as a  dramaturge, director, playwright, journalist and radio programme author. She is  a member of the Editorial Board of Fractions – a magazine for performing arts –  and a co-founder of the troupe BAD co. In 2006 she received the prestigious  award for best prose peace ‘Ivan Goran Kovačić’ for her novel Rio Bar which was  published the same year.
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